(Closed) Deceuer Catch All
Who: Asura + Plotted CR
When: Deceuer
Where: Various locations in Aefenglom, the Outer City, and the Wilde.
What: Quest and event threads, along with a healthy dose of clowning. I'm always down for building new CR, so if you'd like a thread starter, feel free to hmu @ the Dec plotting post!
Warnings: Light violence.

When: Deceuer
Where: Various locations in Aefenglom, the Outer City, and the Wilde.
What: Quest and event threads, along with a healthy dose of clowning. I'm always down for building new CR, so if you'd like a thread starter, feel free to hmu @ the Dec plotting post!
Warnings: Light violence.

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When she hesitates, sets the tips of her fingers against his talons, asking him if he's sure that he wants to turn his eyes from this, Asura understands two things: the first, he cannot protect Paloma from this dream-memory (it is not his place, she did not ask to be saved). The second, if he should avert his gaze, prioritizing Paloma's privacy above all else, he'll have broken his vow—
("Asura, are you actually sure you want what's in me?")
—I do, he'd said back then, and he meant it. And if she's inviting him in, allowing him to be privy to all this damn humidity and sweaty-student stink (and the Ginger blob of color who's immune to the swelter and heat), he's not going to turn his back on it (on her). Paloma, she's not looking him in the eye, but... ]
I do. [ And so: his vow remains the same. ] But on your terms, Paloma.
[ ("Who will guard me? Who's going to hear my secrets after he trusted me with his? You. It'll be you.") ]
You're lucid dreaming now, but before it was different. Don't you go and disappear on me again, yeah? [ His free hand touches lightly to Paloma's face, after that, delineating the shape of her jaw with barely-there touches; tucking a sweat-damp strand of hair back, behind the shell of her ear. ] No one deserves to be subjected to another piss-poor drawing of mine just so I can grab your attention again.
[ Much as he'd enjoyed that, much as he'd put on a repeat performance. ]
Not when you're the only artist here, and all these colors [ a gesture to all those color-blobs and smears ] are yours to pain the rest of your story with.
no subject
Her eyes, huge and staring, dart up for a proper and honest look. How do I do this, what are the words I need, what, how, what do I do? She can't ask these things because he can't answer them. They're hers to figure out. ]
Okay. Okay, don't let go of me, please. [ Resolved to stay here, Paloma braves gripping the hand he'd lifted to push back the hair that'll just bounce into place in another moment. The dream remains, even clarifies, nothing so vivid as the smiling Kindred in front of his canvas, turning his pale face to watch her.
She watches him, too, afraid and accusing. ]
That's Carlos. He didn't need to take a class for beginners, he could paint anything, but he said it was a refresher. This is just some night. [ Nothing special about this date. Her palm slides across his, clammy and warm at the same time. ]
It was after another lesson he asked if I'd go to dinner with him. I thought he was playing a mean joke, but he meant it. And I did.
no subject
And when Paloma's gaze locks with his own in the here and now, the fear that he perceives in her is a far cry from the panic which had seized upon her in a dream of before: it is old, this manner of dread; a thing so perfectly instilled that it lingers even here, in this place where Paloma herself holds absolute power. And seeing that apprehension cross Paloma's features...? It could make Asura sick with wrath on her behalf, if only he let it. But he can't, because his partner and Bonded, she needs to see this story through without any callous interruption.
What she's entrusting to Asura now, it's more important than anything else. ]
The ginger— [ Carlos' name is something that will never fall from Asura's lips. ] —he's a Toreador, isn't he?
[ A Kindred who seduced with art, taking interest in humans who shared in their passions. Alongside the Nosferatu, Tremere, and Giovanni, the clan used to have a foothold in Milan, but no longer. ]
But you couldn't have known it. [ And for that, Paloma couldn't blame herself. But... ] What did you see in him?
[ It had been good and it had been human, whatever had made her say yes. ]
no subject
Someone who wanted me.
[ Yes, it was that simple, that pathetic. He's wrong. Asura is wrong, she can and will blame herself for weakness and the sin of stupidity, of desperation. It hadn't been good right out the gate, but it had been enough that she didn't want to disappear for a while. Until the good times, he was someone who smiled and wanted her and it hadn't been apparent that he played a different kind of game.
The classroom and everyone else in it melts into puddles of blurred color, its texture and depth unknowable until Paloma, frowning, plucks out a memory.
A date. In the evening, obviously. She and Asura are holding hands on the sidewalk of a brightly lit street riddled with restaurants and boutiques. Towering over everything is a theater from which the Toreador is emerging, his arm looped around another Paloma's waist. This one is flushed, giddy from whatever they'd just seen, and looking at her makes the dreamer want to scream recrimination. Her fingers squeeze his from the strength of that want. ]
He gave me that shawl. Ridiculously expensive. I couldn't get him to open up about whatever the hell he did to afford the gifts, and he could tell my heart wasn't in telling him to stop because I loved his attention... so. [ So the gifts didn't stop, nor the sense of obligation to reciprocate. ]
Never did more than ask to kiss me, would you believe it? [ Memory-Paloma and Carlos are locked in one right this second, posed under lamplight by a dark-windowed café like they're on camera. ]
no subject
[ Who had signed up for a drawing class. Who took time to woo and court a human. Who read as someone absent to any duties toward Clan and Prince. ]
He seems like a lone wolf, without much of anyone to keep him in check or to assist with landing that kind of meal on the regular.
[ And more and more, this story which Paloma's just begun to illustrate which such finesse and nuance that Asura can hardly believe that this is her first time commanding the skeins of a dreamscape, starts to veer toward an ending (and beginning) which no human deserves, least of all Paloma. Paloma, who still can't see that none of this is her fault. ]
Is he— [ It's a difficult question to pose, one he's purposely chosen to avoid out of respect for the sole exception to Asura's revulsion toward Kindred-kind. Even before the dream, they'd skirted past this mention many times, because even if the pain's old, being ripped away from who and what you were before is a wound which doesn't go away. It never heals. And Asura, he knows this for himself. ] —responsible for embracing you, Paloma?
[ Responsible, he says. Because Paloma is not. It's his turn, now, to tighten his hold upon the link of their hands, talons grazing just so against her skin in a unspoken reminder that he is here; that his body is that of a weapon. He can be used in any way she needs him to be (that is his choice, his promise to her). ]
no subject
Paloma has relived these memories enough that they don't need the finesse of practiced dreamscaping to summon, imperfect and volatile. They are prone to wobbling and blurring apart when Asura says embracing. Her mind wants to recall with a hot-blooded clarity that final night in the hotel, shoving a dingy hotel carpet under their feet and a cramped hallway to either side of them. The hallway's end fluctuates from impossibly far to putting a door with chipped wood and a room number right in front of them, though the number is hazy. Not significant enough to remember. ]
Ah. Um—
[ She can hear a man's low voice on the other side of the door, a whisper, repeating and resetting to the first note. A broken record. The door cracks in places as if impacted, jigsaw puzzle pieces depressing and pushing out but never keeping the right shape. She does and does not want it to open.
If not for his talons, Paloma might've lost the whole project to panic. Asura's strength is her strength. Her eyes are glazed over and the nausea is... suffocating. ]
Yeah. Yes. [ Sick. This whole night and everyone in it, just sick. Something toxic, something animal dries out her mouth. ]
A special birthday present surprise. He said. But he didn't. Right away.
no subject
Asura is resolute when he lifts the link of their hands, presses the flat of Paloma's palm to the door which fissures and cracks, its many fragments expanding and contracting as though it were a living, breathing entity all its own. Like it were the monster, and not the Kindred (less than a man) with waxen skin and hair as red as their transgressions. ]
Push, when you are ready. [ Sliding over the back of Paloma's hand is Asura's massive one, fingers flexing in their sprawl, silent (as always) in their reminder that his power is her own. ] We'll break it down together.
Whatever he did, whatever he lead you to believe, it is in the past. [ And this is her retelling, her account which reflects terror and dread in this restrictive, never-ending hall. She can't go back, she can't advance, but Paloma, she isn't so immobilized. She isn't trapped. In this dream-memory, she is an architect; she can build something more: ] Now, you are the one who decides how to move forward.
[ Clear to him, that she has no wish to relive the before and after of the Embrace.
The question is now: ] What is it that you want to see beyond this door? You are strong enough to will it into existence.
no subject
Echoes of his thunder rattle around in the cage of her ribs. It strengthens her heart and at first she thinks he's growling some more but recognizes it as her own private, suppressed hatred, hot and drumming her nerves raw to their last fraying thread. It pinches her mouth, it soaks her in a gasoline where her sire's voice is the match. It's all the venom of what Carlos did oozing through her pores. ]
What I want is— can you hear him?
[ Caressing and intimate and loving, the man on the other side of the door's lazy murmuring sharpens into clarity:
I want to show you something
I want to show you something
I want to show you something. ]
You hear him, right?
[ He says it again. I want to show you something. A skipping record, playing the same ugly song. The door bulges around her fingertips, curling into claws. Fear was, is, a natural response. Fury and naked loathing shatter the chipped wood keeping her away from the man who remade her in his image. He's in the process of dressing a faceless, colorless nude body on a hotel bed surrounded by opened condom wrappers, some pills on a dresser that didn't even belong to them but had come with this cheap and anonymous room. He blinks at her.
I want to show you something, is the only thing he says, and Paloma peels off of Asura to drive him into the muddy carpet. ]